The Number One Guitar Solo of All Time.
The most influential blues solo of all
time has to be on Hank Williams 1947 hit 45 Move It On Over.
Probably played by Chet Atkins
accompanying Hanks band the Drifting Cowboys.
In a sense Atkins unlocked the whole
history of blues and jazz guitar in one one chorus solo on a
shitkicking country and western weepy.
Thats cool.
As one gets further and further into
the history of country and rock and roll music this solo shows up in
a million permutations.
Previously blues and white music were
separated by an invisible line, the triplet meter and the baudy and
risque. Cross fertilisation was there, but never overt to the record
buying public.
The solo itself starts out as a clear and intune
outline of the first two bars of a standard 'slow' 12 bar progresssion till Chet starts playing BB King style
flourishes and glissandos all of his own.
All understated but power and sophistication are all there and the careful listener will find the unique “phrasing” in lots of other strange places.
All understated but power and sophistication are all there and the careful listener will find the unique “phrasing” in lots of other strange places.
But there it is.
Get this one down and you have got it
all.
The clarity and power of this record
arrived at the same time as the great leap forward in electric guitar
construction and more leisure time for bedroom cowboys who had the
yen to replicate this style and add their own thing which resulted in
the explosion of music in the 1950s.
Buddy Holly was the next great
virtuoso but that is another story and the maestro jazzers like
Jimmy Hall and all the rest of the crew were in on it too.
A little of the good stuff goes a long
way.
Whipty doo.
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