Michael Bloomfield: "When I was 17, I thought I was good enough to gig in black places and hold my own. You had to hold your own. If you shucked, then you had no business being there. You'd not only be a white kid, you'd be a fool. You'd be a punk and a fool....Several guys took me to be almost like I was their son—Big Joe Williams, Sunnyland Slim, and Otis Spann. They took me to be like their kid, man; they just showed me from the heart. They took me aside and said, 'You can play, man. Don't be shy. Get up there and play.' What I learned from them was invaluable. A way of life, a way of thinking, a whole kind of thing—invaluable things to learn. I used to hear Elmore James, Sonny Boy, Little Walter, Howlin' Wolf, Muddy Waters, Freddie King, Albert King—way before they were known anywhere but the ghetto....I was interested in it from a musicological standpoint. I was trying to discover where the old blues singers lived. I met cats like Washboard Sam and Jazz Gillum and Tommy McClennan and Kokomo Arnold. I used to have a band with Big Joe Williams....By then it was a scholarly thing. Like Paul Oliver and Sam Charters, I wanted to know the story of the blues, and the best way for me to learn was to actually meet the guys."
From: Michael Bloomfield - If You Love These Blues: An Oral History by Jan Mark Wolkin and Bill Keenum
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