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you wake up every morning and its there!
hehehehehehe.
now playing:
aussie fast5 sheilas doing this semi-twerking????
they cant dance,and listening to wallis chipmunk doing his Sunday morning thing.
He is another one that gives me a big pain in the ear doesn't he.
His technique such as it is is a continual stream of interrogatives isn't it.
where do they learn this stuff?
It is most annoying to listen to someone who is both asking and telling the answer to his own questions isn't it.
why dont RNZ get some sort of editorial control and enforce it when it comes to standards of interviewing?
Otherwise its just juvenile crap and people trying to be hip when they aren't are they.
and he is interviewing some winston curnoh (who he ) who gives up that he digs John Coltrane.
so wallis plays 20 seconds of that and then at the end of the hour he plays 5minutes of massive attack.
who are they?
if he cant tell the difference between real music and computer generated pap then there is something seriously wrong with his cognitive faculty isn't there.
now playing:
aussie fast5 sheilas doing this semi-twerking????
they cant dance,and listening to wallis chipmunk doing his Sunday morning thing.
He is another one that gives me a big pain in the ear doesn't he.
His technique such as it is is a continual stream of interrogatives isn't it.
where do they learn this stuff?
It is most annoying to listen to someone who is both asking and telling the answer to his own questions isn't it.
why dont RNZ get some sort of editorial control and enforce it when it comes to standards of interviewing?
Otherwise its just juvenile crap and people trying to be hip when they aren't are they.
and he is interviewing some winston curnoh (who he ) who gives up that he digs John Coltrane.
so wallis plays 20 seconds of that and then at the end of the hour he plays 5minutes of massive attack.
who are they?
if he cant tell the difference between real music and computer generated pap then there is something seriously wrong with his cognitive faculty isn't there.
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